We’ll approach each synth Bit from the point of playability. You’ll learn about the endless combinations in the Synth Kit with oscillators, sequencers, keyboards, filters, envelopes, delays, and (my favorite) the random Bit. The course is also practical because we play together and collaborate as a musical group, and can watch how a millimeter here or there makes a huge musical difference.
Hans Tammen likes to set sounds in motion, and then sitting back to watch the movements unfold. Borrowing from Charles Ives’ polytonality, Steve Coleman’s rhythmic complexity, Karlheinz Stockhausen’s organization of sounds and Earle Brown’s approach to form, the music of the Third Eye Orchestra is continuously shifting, with different layers floating into the foreground while others disappear.
Originally inspired by a performance of the David Murray Bigband conducted by Craig Harris at the Knitting Factory some time in the 90s, Hans Tammen creates open form multi-movement pieces with a large variety of ensembles for over a decade.