Unsettling, frantic and anti-sentimental, Hans Tammen’s Third Eye Electric Band – for whom machine oil is mother’s milk – fuse relentless polyrhythmic maneuvers with ethereal yet roughly sewn soundscapes. Dark, sometimes brooding ensemble passages mix and mingle with tightly woven drum-loops, and extended solo cadenzas build up to a mighty hymn to machine work, music of a metallic nightmare.
We’ll approach each synth Bit from the point of playability. You’ll learn about the endless combinations in the Synth Kit with oscillators, sequencers, keyboards, filters, envelopes, delays, and (my favorite) the random Bit. The course is also practical because we play together and collaborate as a musical group, and can watch how a millimeter here or there makes a huge musical difference.
Hans Tammen likes to set sounds in motion, and then sitting back to watch the movements unfold. Borrowing from Charles Ives’ polytonality, Steve Coleman’s rhythmic complexity, Karlheinz Stockhausen’s organization of sounds and Earle Brown’s approach to form, the music of the Third Eye Orchestra is continuously shifting, with different layers floating into the foreground while others disappear.
Originally inspired by a performance of the David Murray Bigband conducted by Craig Harris at the Knitting Factory some time in the 90s, Hans Tammen creates open form multi-movement pieces with a large variety of ensembles for over a decade.