Andrea Wolf’s “Weather Has Been Nice” in Santiago de Chile
Andrea Wolf's "Weather has been nice" is a series of generative video installations in which found vintage postcards are broken down into their elements. Creating an immersive audiovisual experience, the large-scale projections of ever-changing landscapes will be complemented by a recording of the sound pieces, embedded in beanbags created with Print All Over Me.
The Harbour Symphony is original music written for the horns of the ships in the St. John’s harbour. This signature fanfare of the Sound Symposium transforms the ships in the harbour into an orchestra on water.
Rolling Bösendorfer is another installment of my work that focuses on mechanical sounds produced by remotely controllable instruments. The piece was performed at the Pianos Without Organs Festival October 2016, in Raleigh, NC.
In "Methods Of Expansion And Contraction" disparate scenes and subjects form a continuous montage of contrastive timbres, textures and sonic eruptions, occasionally interrupted by quiet pulses. The work is presented on a 16-channel sound system, the sounds were created on a Buchla Music Easel and Hordijk Blippoo Box.
Take part in a massive synth orchestra! Eurorack, Moog, Buchla, Serge, Tonto, self-designed instruments: as long as it has patch cords and is analog, it's in! We are looking for about 20+ players to take part in the workshop and performance, to create a massive piece of waves, filtering, noise, and beats!
Nachtstück Recordings NR-20, recorded 2015. Michael Lytle - bassclarinet, contra bassclarinet, voice; Erhard Hirt - guitar, electronics; Hans Tammen - buchla
Samadis Records, recorded February 2016, released March 2016. Total time 39 minutes. Saman Samadi - piano, Blaise Siwula - clarinet/altosax, Hans Tammen - buchla.